She Kills Monsters: Virtual Realms

Play by Qui Nguyen
Directed by Anna Klein

Parental guidance suggested – Some material may not be suitable for children.

She Kills Monsters: Virtual Realms includes strong language, and mature themes of grief, loss, homophobia, and sexuality, as well as some depictions of fighting and violence. Viewer discretion is advised. To view an extensive list of trigger warnings, visit our webpage


THE CREW

DIRECTORAnna Klein
ASSISTANT DIRECTORAnna Martin
STAGE MANAGEREric Archer
TECHNICAL DIRECTORCaitlin McCown
SCENIC DESIGNERIvy Gilliam
PARTY CHOREOGRAPHERMeriam Shams
CHEER CHOREOGRAPHERLauren Witte
PRODUCING ARTISTIC DIRECTORShana Bestock
DRAMATURGESJames Haeck and Hannah Rose
SOUND DESIGNERAnna Klein
CREWElle Jerbi

Director:
Anna Klein


Scenic Design:
Ivy Gilliam

Assistant Director:
Anna Martin


Tech Director:
Caitlin McCown


Stage Manager:
Eric Archer


THE CAST

AGNESHarriet Cohen
TILLYElla Meulen
CHUCKMiranda Gilbert
VERA / CHEERLEADER 1Cora Pearlstein
MILESStellan Rude
KALIOPEChloe Kampmeier
LILITHSadie Gingold
ORCUSTyler Kalvert
EVIL TINA / NARRATOR 1Emma Gunter
STEVE / NARRATOR 2 / CHEERLEADER 2Elle Jerbi
FARRAH / EVIL GABBI / NARRATOR 3Ginger Schreiber

DIRECTOR'S NOTE

It is so rare as a young person to be able to tell a story about the experiences of young people, but She Kills Monsters has allowed us to do just that. This unique play focuses on the struggles of being young, told through a lens perfectly outfitted for the digital age, and filled with killer fairies, evil succubi, and demonic eyeballs with teeth.

I knew very little about Dungeons and Dragons when I first read Qui Nguyen's She Kills Monsters. For those unfamiliar with the world of D&D, it's a fantasy tabletop RPG, played predominately with a set of dice and your imagination. I, like Agnes, was initially wary of all that D&D had to offer. However, when I was finally coaxed into playing with a group of particular persuasive friends, I learned that the world of Dungeons and Dragons isn't too dissimilar from the world of theatre. Much like performance, D&D is escapism at its finest; allowing the players to immerse themselves in a world with diverse characters, unfamiliar landscapes, and complex relationships. D&D is a way of exploring oneself through a new lens-- It's no wonder why Nguyen figured out that this game lends itself to the stage.

She Kills Monsters is a touching story about self-determination, bravery, and acceptance; things we all need a little more of nowadays. In these COVID times, we are thirsting for escape. We've been stuck in home, fighting our own personal monsters for a year now. Agnes, in her grief, has been doing the same. Agnes' journey of self-discovery, and her escape into her own imagination through the fantasy world of Dungeons and Dragons is something beautiful, hopeful, and surprisingly relatable. At its core, She Kills Monsters is a tale of young people persevering through treacherous terrain and hatred, dragons and killer fairies, intolerance and grief. We hope that, in watching Agnes' story unfold, you continue to persevere alongside us.


SPECIAL THANKS

  • Buy Nothing Meadowbrook / Matthews Beach Facebook Group

  • Cheryl Klein

  • Paul Bestock

  • Mary Beasley

  • Izabel Mar

  • Bella Zhou

  • Linda Yan

  • Kevin Harland

  • The Penguin Advisory Council

( Made with Carrd )